The Windows

 

I’ve always been aware of how gifted I’ve been by the windows of my studio/apartment, but never more so than these last couple of years of intensified seclusion.  And the particular inspiration of the Summer Solstice, when the setting sun casts its deepening light on my eastern walls, once again returned to be a generative source of work. With my back to the windows, I also reconsidered what was already on my walls, my printed-to-scale taped together test prints for work I was planning for the 2020 New Grit: Art & Philly Now exhibition at the Philadelphia Museum of Art; in this new, sequestered world, my taped images, which I had long been living with and which had always been of interest to me, now held my attention in a heightened way. And my ongoing practice of photographing the Period Room windows at the PMA, (represented by Border Crossing in New Grit), also makes an appearance here, as I reproduced another museum window and subjected it to the seasonal light across my studio walls, conflating the museum experience with that of the studio, and ultimately retelling its story in the gallery.         

In preparation for The Windows exhibition at Bridgette Mayer Gallery, several years of work not yet exhibited also wanted to come forward, and I’ve selected a few to accompany the work encouraged by my windows. While under the windows’ spell, I was still feeling close to what was out of sight – the landscapes remembered – and those memories and studio experiences were compounded for this exhibition. 

Installation view with Tree Road and text

Tree Road
Archival UV Pigment on dibond, 10 x 16 inches

Installation view of Placeholder and Cloud Time

PlaceholderPlaceholder

Placeholder
Archival UV Pigment on dibond, 24 x 36 inches

Cloud Time
Archival UV Pigment on dibond, 60 x 65 inches and 6 x 6 ½ inches

Plywood Picture, Glimpse, Sky Wall, Placeholder, Cut it Out, and Cloud TimePlywood Picture, Glimpse, Sky Wall, Placeholder, Cut it Out, and Cloud Time

Installation view of Picture Plywood, Glimpse, Sky Wall, Placeholder, Cut It Out, and Cloud Time

Picture PlywoodPicture Plywood

Picture Plywood
Archival UV Pigment on dibond, 6 x 8 ¾ inches and 18 x 25 inches

8. Glimpse8. Glimpse

Glimpse
Archival UV Pigment on dibond, 6 x 6 ½ inches and 16 x 17 ½ inches

Sky WallSky Wall

Sky Wall
Archival UV Pigment on dibond, 6 x 8 5/8 inches and 20 x 29 inches

Cut It OutCut It Out

Cut It Out
Archival UV Pigment on dibond, 6 x 6 inches and 24 x 24 inches

Bridgette Mayer GalleryBridgette Mayer Gallery

Installation view of Mountain Side, Cabin Viewing, Moon in a Chair, and Moon in a Box

Mountain SideMountain Side

Mountain Side
Archival UV Pigment on dibond, 16 ½ x 13 ¼ inches

Cabin ViewingCabin Viewing

Cabin Viewing
Archival UV Pigment on dibond, 10 x 15 inches

Moon in a ChairMoon in a Chair

Moon in a Chair
UV Archival Pigment on dibond, 22 x 28 ¾ inches

Moon in a BoxMoon in a Box

Moon in a Box
LED Lightbox, 16 ¼ x 19 ¼ x 3 inches

Night ShiftNight Shift

Night Shift
Archival UV Pigment on dibond, 10 ½ x 14 ¾ inches

A SignA Sign

A Sign
Archival UV Pigment on dibond, 36 x 45 inches

Bridgette Mayer GalleryBridgette Mayer Gallery

Installation view of Green Curtain, Windows, for example, Moon Chord and text

GREEN CURTAINGREEN CURTAIN

Green Curtain
Archival UV Pigment on dibond, 22 ¾ x 32 ¼ inches

Bridgette Mayer GalleryBridgette Mayer Gallery

The Windows, for example
Archival UV Pigment on Vinyl board, 22 ¾ x 12 ½ x 1 ½ inches

21. MOON CHORD21. MOON CHORD

Moon Chord
Archival UV Pigment on dibond, 22 ¾ x 31 ½ inches

22. Text for The Windows, for example22. Text for The Windows, for example

Text for The Windows, for example
11 x 8 ½ inches

Bridgette Mayer GalleryBridgette Mayer Gallery

Installation view, including Both Sides, The Golden Hour (Part 1, 2, and 3), Bird Books among Others, and Waving Goodbye.

24. Both Sides24. Both Sides

Both Sides
Archival UV Pigment on dibond, 40 x 60 inches

Bridgette Mayer GalleryBridgette Mayer Gallery

Installation view of Bird Books among Others and The Golden Hour (Part 1, 2, and 3)

26. The Golden Hour, Part 1.26. The Golden Hour, Part 1.

The Golden Hour, Part 1
Archival UV Pigment on dibond, 40 x 42 ¼ inches

27. The Golden Hour, Part 2.27. The Golden Hour, Part 2.

The Golden Hour, Part 2
Archival UV Pigment on dibond, 40 x 49 ¾ inches

28. The Golden Hour. Part 3,28. The Golden Hour. Part 3,

The Golden Hour, Part 3
Archival UV Pigment on dibond, 40 x 52 ¼ inches

29. Bird Books among Others29. Bird Books among Others

Bird Books among Others
Archival UV Pigment on dibond, 9 ½ x 12 inches

30. Waving Goodbye.30. Waving Goodbye.

Waving Goodbye
Archival UV Pigment on dibond, 40 x 60 inches

31. Installation view of Sunscreen31. Installation view of Sunscreen

Installation view of Sunscreen

32. Sunscreen32. Sunscreen

Sunscreen
Archival UV Pigment on dibond, 19 x 20 inches

Bridgette Mayer GalleryBridgette Mayer Gallery

Installation view of Reproduced Twice, Mountain Dreams, and Reproduced Once

34. Reproduced, Twice,34. Reproduced, Twice,

Reproduced Twice
Archival UV Pigment on dibond, 15 x 26 inches

35. Mountain Dreams35. Mountain Dreams

Mountain Dreams
Archival UV Pigment on dibond, 37 x 55 ¼ inches

36. Reproduced, Once36. Reproduced, Once

Reproduced Once
Archival UV Pigment on dibond, 15 x 26 inches