These works were instigated by spending this heightened time reconsidering ongoing (postponed) projects as well as working with what’s always waiting to be to discovered in the studio.  The images with tape are cropped versions of my constructed-to-scale tests for larger prints that will be produced elsewhere, and belong to a group I’m calling Work from Work.

Among the other studio works are those inspired by what’s become a yearly, seasonal event around the summer solstice.  While I'm far from the ground in my lived-in studio space, the sun’s movement north allows its evening setting in the western sky to track across my eastern walls.  I’ve been recording this recurrent appearance as a welcomed guest – this unlikely but insistent connection to the natural world – for several years, placing different images in its path to see what I could see.  This year I included, on occasion, my real fake hedge.

Blue as a Window     
Archival Pigment on dibond, 23 x 23 inches

Man in Blue Looking (Work from Work)
Archival Pigment on dibond, 23 x 22 inches

Such a Rainy Day
Archival Pigment on dibond, 34 x 40 ½ inches

Falls
Archival Pigment on dibond, 25 x 36 ¼ inches

Hedging 
Archival Pigment on dibond, 25 x 36 ¼ inches

Certain Uncertainties
Archival Pigment on dibond, 30 x 36 inches

Releaf   
Archival Pigment on dibond, 17 x 23 ½ inches

Street Leaf   
Archival Pigment on dibond, 23 x 31 ¼ inches

Shelf Life   
Archival Pigment on dibond, 16 x 19 ½ inches

Flowers in a Box
Archival Pigment on dibond, 20 x 20 ¼ inches

Waving Goodbye   
Archival Pigment on dibond, 40 x 60 inches

Studio Life
Archival Pigment on dibond,  16 x 22 ½ inches